Tag: Art

  • Minneapolis Institute of Art Floor 3 Part 2

    Top right photo

    Madonna Enthroned in Majesty with the Christ Child, Late 12 century

    Marble

    Top Left Photo

    Virgin and Child, 14th century

    Stone, Polychromed

    Flanders

    Large-Leaf Verdure Tapestry Fragment with Birds, 16th century

    Wool, Silk Tapestry weave

    _MG_3906 (2)

    Circle of Gil de Siloe

    Virgin of the Milk (Virgen de la leche), 1500

    Poly Chromed Wood

    _MG_3901 (2)

    Signed Saomotome Iechika

    Helmet, Early 17th century

    Iron, Gold, Wood, Lacquer

    _MG_3894 (2)

    Giovanni Battista Caccini

    Bust of Emperor Hadrian as a Young Man, 1590

    Marble

    Richard Stankiewicz

    Untitled, 1954

    Iron and Steel

    _MG_3891 (2)

    Ship Of Virtues, 1528-1540

    Wool, Silk, Tapestry Weave

    _MG_3869 (2)

    Asa Ames

    Portrait Bust, 1830-1845

    Cherrywood

    _MG_3863 (2)

    Lucille Corcos

    Macy’s Parade, 1942

    Tempera on Masonite

    _MG_3854 (2)

    Henry Koerner

    My Parent II, 1946

    Oil on Masonite

    _MG_3851 (2)

    Andrew Wyeth

    Christmas Morning, 1944

    Egg Tempera on Gessoed Board

    _MG_3847 (2)

    Gaston Lachiase

    Woman in a Chair, 1924

    White Marble

    Elie Nadelman

    Draped Standing Woman Figure, 1907-1908

    Plaster

    Edgar Degas

    Dancer Putting on Stockings, 19th Century

    Bronze_MG_3831 (2)

    Anders Zorn

    The Girl from Alvdalen, 1911

    Oil on Canvas

    _MG_3826 (2)

    Franz von Stuck

    Portrait of Beethoven, 1902

    Parcel Gilt and Polychromed Stucco

    _MG_3820 (2)

    Paul Signac

    Blessing of the Tuna Fleet at Groix, 1923

    Oil on Canvas

    _MG_3815 (2)

    Theodore Rousseau
    Autumn at St. Jean de Paris, Forest of Fontainebleau, 1846

    Oil on Canvas

    _MG_3811 (2)

    Aime-Jules Dalou

    Antoine-Laurent de Lavoisier (1743-1794), 1891

    Bronze

    Randolf Rogers

    The Lost Pleiad, 1874 (modeled)

    Marble

     

  • Minneapolis Institute of Art Floor 3 Part 1

    Minneapolis Institute of Art Floor 3 Part 1

    William Edmondson

    Ram“, 1938-1942

    Limestone.

    _MG_4107 (2)

    Jean-Baptiste Auguste Clesinger

    “Bacchante and Satyr”, 1869

    Marble

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    Antoine-Louis Barye

    “Theseus Slaying the Centaur Bianor” ,1850 (Modeled cast, 1891)

    Bronze, Caster: Ferdinand Barbedienne

    Albert-Ernest Carrier-Belleuse

    “Pair of Torches”, 1862

    Bronze, Gilt, Silver, Black Onyx, Red Marble

    Henry Bannarn

    “Cleota Collins”, 1932

    Plaster, Pigment

    _MG_4053 (2)

    Jean Hanau

    “Pueblo Indian Group”, 1928

    Oil on Canvas

    Harry Jackson

    “Stampede”, 1958-1959

    Bronze, Wyoming Jade Base

    Wenzel Friedrich

    “Platform Rocking Chair and Stool”, 1880-1890

    Horn, Ivory and Glass with Ocelot Upholstery

    Herman Atkins Macneil

    “A Chief of the Maltnomah Tribe”, 1905

    Bronze

    “Writing Desk”, 1760

    Wood, Paint, Gilt, Gilt Bronze

    _MG_4004 (2)_MG_4003 (2)_MG_3999

    Bertel Thorvaldsen

    “Ganymede and the Eagle”, 1817-1829

    Marble

    _MG_4009 (2)

    Nicolas de Largilliere

    “Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles Leonor Aubry with her Son Leonor”, 1699

    Oil on Canvas

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    After Gaspard Marcy

    “Boris Abducting Orithyia”, 1700

    Bronze (Reduction cast)

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    Joseph Venache

    “The Borghese Gladiator”, 1680-1685

    Bronze

     _MG_3997

    Pierre-Phillippe Thomire

    “Clock with Vestals”, 1790

    Bronze, Gilt Bronze, enameled dial, Marble

    Fernandi Tacca

    “Satyr and Nymph”, 17th century

    Bronze

    Unidentified Designers and Cartoonists

    “Waiting the Chase”, 1650

    Wool, Silk, Tapestry Weave

    _MG_3947 (2)

    “Funeral Torch”, 1620

    Gilded and Painted wood and wrought iron

    Attributed to Jose Montes de Oca

    “Saint Benedict of Palermo”, 1734

    Polychrome and gilt wood, Glass

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    Aaron Spangler

    Songbird”, 2006

    Carved bass wood, black gesso and graphite

    Hans Schaufelein

    “Roundel Set”, 1500

    Stained Glass, Lead

     

  • What Type of Society Would You Like to Live in?

    What type of society would you like to live in?  Collectivist or Individualistic?  This is a question we were asked in Pillars of Leadership program at school this week.  This is a very hard questions to be asked and takes a lot of thought as to not give people the wrong idea.  If you say you want to live in a collectivist society people in the states think China or the former USSR.  If you say Individualistic people think of America and the corporate plutocracy that runs it.  I would chose a combination of both a more socially individualistic and economically collectivistic society.

    In America we have been traditionally a socially collectivist and economically individualistic society.  This means socially if you were different from the group you were labeled the outcast, different, freak, ect…  If you are are not white, Christian, hetrosexual you were the other and have historically been segregated against in one form or another.  Yet, if you raised have money, and power you were held in high regard even worshipped to some extent.  This paradigm has been hard for me to live in because I do not think the way I was taught to think.  I do not view wealth or power as a success factor.  I also see people as individuals and judge them on there actions not race, gender, sexual orientation, ect…  I view happiness and empathy as how successful a society is in the grand scheme of things.

    I do not think that it is up to the government or corporation should  decide what you do as a career or job.  I feel we help people to reach their potential in the field they enjoy and are good at.  Yes, this is would not be a nice and ordered society but it plays to people’s strengths and move society in a more positive direction.  This allows people to find out who they are and what they are passionate about.  This also breeds a much happier society and less conflict.  I feel that when a society reaches a certain level of development that the government can not only help it’s people militarily but making sure that the basic necessities are taken care of like food, clothing, housing, ect… They would not get to chose these thing for them, but, helps people to afford these items making sure no one is left behind or falls through the cracks.  This way the economic schizm does not grow so great that a few people control the rest of the society against their will.

    People will ask, “But, if we don’t have money to use as an incentive how can we motivate people to do the work?”  To them I answer ” There are many ways to motivate people like their passions. some people like helping others, some like to create things like art, science, or music..  Think of all the artists that have died in poverty, like Van Gogh, yet, after their deaths the pieces would have made them wealthy beyond their wildest dreams.  Think of people in the scientific realm like Nicola Tesla who died in poverty not to be respected till well after his death.”  How many minds have we wasted because of the greed of our society?  How many more will not have the opportunity because others think that because they are wealthy they are the best?  How many ideas will be stolen because of greed and pride?  These are questions I asked myself when people ask me “What type of society I want to live in?”

    I feel we need a combination of both in our societies and no pure system will ever work in a world full of differences.

    Peace and Love To all who read this and even those who don’t.

  • Final Project for Photography

    Final Project for Photography

    This is Photoshop project I had to take 3 pictures and a scan of a 3D object.  You might recognise the object, If you’re old enough.  It started out as an homage to one of my favorite 80’s Sci Fi movies, “They Live”.  The project kind of went south when I realized I could not use any words in the project.  If you have seen “They Live” you know what I am talking about, if not watch it.  The movie is a Metaphor for so many things in our society today.  From companies controlling how we live from day to day and how we blindly follow those we don’t really know.

     

  • Practicing with my camera in Low Light

    All these images were caught in low light and hand held.  I am testing to see how long I can hold the it steady without much blur.  These are the best I caught at the Minneapolis Art Institute.